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Bank: English 3702
William
Blake
John
Constable
Exotic
Subjects & Extreme States
Caspar
David Friedrich
Thomas
Gainsborough
Gothic
Style and Walpole
"History
Painting"
Jacob
Huysmans (Rochester)
Piranesi
(De Quincey)
William Blake
-- The Marriage of Heaven and Hell
John Constable
-- Landscapes
Exotic
Subjects and Extreme States
Caspar
David Friedrich
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How does Friedrich situate
his viewer (you -- as well as the person(s) sometimes pictured by him)?
Compare the position of the viewer in his landscapes to those by Constable
and Gainsborough.
-
At the same time, I encourage
you to think of some of the Romantic verse treatments of the landscape
that we have read. How might Friedrich's viewer be similar to and
different from viewers in Wordsworth, for instance? Why have us gaze
upon another person gazing?
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Would you describe these
landscapes as "sublime"? If so, what features make them so? If not,
why not?
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Some other suggestive paintings
by David:
Thomas Gainsborough
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Take a look at the two different
genres of painting Gainsborough produced. Compare, also, his "fancy
paintings" to the later landscapes of Constable.
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"Fancy Paintings" (more
rustic works)
Gothic
Style and Walpole
-
Some examples of Gothic
architecture
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To provide you with a sense
of the CONTRASTS in period style that accompanied the rise of the Gothic
novel and the Gothic architectural revival, consider the following works:
"History
Painting" ('Heroic' topics)
Jacob Huysmans
(Rochester)
Note that Rochester
is pictured here crowning a monkey with a bay of laurels.
Giovanni-Battista
Piranesi (De Quincey)
De Quincey compares
his opium dreams to these drawings by Italian artist Piranesi.
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Prisons of the Imagination
-- 1760
-
(Carceri d'Invenzione)
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